ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
ryanpanos:

Movie Theaters in South India | Stefanie Zoche
“Take up more space as a woman. Take up more time. Take your time. You are taught to hide, censor, move about without messing up decorum for a man’s comfort. Whether it’s said or not, you’re taught balance. Forget that. Displease. Disappoint. Destroy. Be loud, be righteous, be messy. Do not see yourself like glass. Like you could get dirty and clean. You are flesh. You are not constant. You change. Society teaches women to maintain balance and that robs us of our volatility. Our mercurial hearts. Calm and chaos. Love only when needed; preserve otherwise.”

Mehreen Kasana, from A Woman of War (via fantasyparade, padaviya). Source: pbnpineapples.

See also:

(via tomfjord)

artmastered:

Jean-François Millet, The Gleaners, 1857, oil on canvas, 83.8 x 111.8 cm, Musée d’Orsay, Paris. Source

It is unsurprising to hear that the French aristocracy did not appreciate Millet’s sympathetic depictions of the working classes. The Gleaners, which features three female field workers collecting the last of the harvest, was particularly badly received at the Salon exhibition of 1857. 

(via sad-lolita)

“Jenny Holzer’s famous truism “Protect me from what I want” renders in a very precise way the fundamental ambiguity of the hysterical position. It can either be read as an ironic reference to the standard male chauvinist wisdom that a woman, when left to herself, gets caught in the self-destructive fury, so that she must be protected from herself by the benevolent male domination: “Protect me from the excessive self-destructive desire in me that I myself am not able to dominate.” Or it can be read in a more radical way, as pointing towards the fact that in today’s patriarchal society, woman’s desire is radically alienated, that she desires what men expect her to desire, that she desires to be desired by men. In this case, “Protect me from what I want” means “What I want, precisely when I seem to formulate my authentic innermost longing, is already imposed on me by the patriarchal order that tells me what to desire, so the first condition of my liberation is that I break up the vicious cycle of my alienated desire and learn to formulate my desire in an autonomous way.””
Slavoj Žižek, How To Read Lacan  (via teacakes)

(via tomfjord)

🌿🌱#succulents (at Paxton Gate PDX)

pleoros:

Gerhard Richter - Niagara Falls, 1988.
pleoros:

Gerhard Richter - Niagara Falls, 1988.
pleoros:

Gerhard Richter - Niagara Falls, 1988.
pleoros:

Gerhard Richter - Niagara Falls, 1988.
pleoros:

Gerhard Richter - Niagara Falls, 1988.
pleoros:

Gerhard Richter - Niagara Falls, 1988.
pleoros:

Gerhard Richter - Niagara Falls, 1988.
pleoros:

Gerhard Richter - Niagara Falls, 1988.
pleoros:

Gerhard Richter - Niagara Falls, 1988.

pleoros:

Gerhard Richter - Niagara Falls, 1988.

(via ethoslogos-pathos)

flyartproductions:

Johnny attacked by a Jaguar

Negro attacked by a Jaguar (1910), Henri Rousseau / Johnny is Dead, Q-Tip

(via jazzgoblin)

eviecahir:

Objects of Interest: Nina’s salads, list writing and walking more. 

(via mayagoo)

Gulam Mohammed Sheikh, Speechless City, 1975

(via unfuckthereallife)

jeannepompadour:

Portrait of Bianca degli Utili Maselli with her six children by Lavinia Fontana, 1604-05

(via totheslaughter)

oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv.  oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv.  oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv.  oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv.  oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv.  oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv.  oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv.  oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv. 

oldfilmsflicker:

the season finale of The Leftovers was everything I needed it to be

i kept thinking “is justin theroux the new claire danes?” re: crying on dramatic cable tv. 

(via oldfilmsflicker)