blastedheath:

Anton Henning (German, b. 1964), Interieur No. 99, 2001. Oil on canvas, 157 x 199.5 cm. Collection Martijn and Jeannette Sanders.

(via jesuisperdu)

slashfilms:

There was an old lady who swallowed a fly, perhaps she’ll die.
slashfilms:

There was an old lady who swallowed a fly, perhaps she’ll die.
slashfilms:

There was an old lady who swallowed a fly, perhaps she’ll die.

slashfilms:

There was an old lady who swallowed a fly, perhaps she’ll die.


The Pervert’s Guide To Ideology (2012), dir. by Sophie Fiennes

The Pervert’s Guide To Ideology (2012), dir. by Sophie Fiennes

The Pervert’s Guide To Ideology (2012), dir. by Sophie Fiennes

The Pervert’s Guide To Ideology (2012), dir. by Sophie Fiennes

The Pervert’s Guide To Ideology (2012), dir. by Sophie Fiennes

The Pervert’s Guide To Ideology (2012), dir. by Sophie Fiennes


David Lynch + Rooms

David Lynch + Rooms

David Lynch + Rooms

David Lynch + Rooms

David Lynch + Rooms

Linklater has always used time as a character. It’s in the titles of his Before trilogy, featuring Ethan Hawke and Julie Delpy as characters at different junctures: Before Sunrise, Before Sunset, Before Midnight. They have to reconnect in each film—and fast, because the clock is ticking. I love these films, but they’re talky. Linklater is so literal about time he never seems to use the full, transcendent resources of cinema.

He does in Boyhood.

— David Edelstein reviews Boyhood, directed by Richard Linklater (via nprfreshair)
o-h-yes:

boyhood

mpdrolet:

Study for book cover, 1933

Man Ray